All images copyright by the individual photographers

	Whanganui National Park – Boiling Mud By David Braitsch David Braitsch receives a Gallery Pick for his photo, Boiling Mud which was taken in in New Zealand at Whanganui National Park, which is the home of the world’s youngest geothermal system, hence the mud flats.  Mud flats alone would not hold an observer for long, but David has found a way to keep us in this image.  A strong use of composition imposes us to look and study these mud flats further. The image draws the viewer into the scene, inviting us to explore the complexities of this unique ecosystem. The composition of the photograph is skillfully executed.  First, is David’s use of the curve.  The curve on the right side of the image works as a wall, which keeps us in the image.  The dark area at the bottom also acts as a wall keeping us in the image.  Additionally, the use of a straight line starting in the lower left corner leads us to follow one mud flat to the next in the center of the image at the top.   Also, as we follow the line upwards, the lighting, going from dark to light, helps us to follow the line. The various textures present in the mud flats add significant interest to the piece.  Tiny rivulets and cracks in the mud create an almost abstract quality, inviting viewers to appreciate the natural artistry found in nature. Viewers can almost feel the squelch of the mud beneath their feet, a sensory detail that deepens the immersion. The photograph is a reminder of the ecological harmony that exists in these often-overlooked natural spaces.  It’s a powerful piece that evokes a sense of wonder and curiosity about the ever-changing landscapes that embody life, vitality and tranquility of the environment. By Gil Maker
	Sporto’s Diner By Jim Dusen It’s always a delight to see Jim Dusen’s photographs in the Gallery. He has developed a consistent technique for bringing his images to life, with reliable tonal contrasts, lighting, and warm color effects. For this exhibition, Jim has selected a nostalgic theme: old-fashioned soda fountains, diners, and bars, capturing the people who frequent these spaces. One photograph that particularly resonated with me is titled Sporto’s Diner. It seems to depict a breakfast scene, or at least, that’s when I imagine myself there. The regulars stroll in and settle at the counter, engaging in conversations about the weather and local happenings with the wait staff and other friendly patrons nearby. In this shot, Jim positions the subject slightly off-center, placing him in a commanding spot, which creates a sense of tension and allows the photo to tell a story. He skillfully highlights and sharpens the subject, even down to the man’s clothes, making the worn wooden chair beside him, positioned closest to the camera, fade subtly into the background. On the counter and the shelving to the left, Jim also illuminates the typical dining paraphernalia—salt and pepper shakers, an upside-down ketchup bottle, sugar, a bowl, and a larger container for milk for the coffee. Thank you for sharing these comforting, familiar dining establishments with us, Jim. By Dick Bennett
	Tokyo Sun By Betsy Phillips Tokyo Sun, one of the photos in Betsy’s Urban Observations exhibit, is an enthralling abstract photograph in which Betsy expertly illustrates modern urban life blended with the subtle beauty of nature, alluding to the vibrant energy of Tokyo. The photograph serves as a visual metaphor for the city itself, dynamic, layered and marked by contrasts that evoke a sense of both chaos and harmony. At first glance, the composition is striking, characterized by the skillful interplay of light, shadow and color. The dominant hues of warm yellows and fiery oranges evoke the imagery of a sun setting above the Tokyo skyline. The abstract elements seem to coalesce into a molten canvas, mirroring the way sunlight filters through the towering structures of modern architecture. The use of gradient transitions from light to dark creates a sense of depth, giving the viewer an illusion of peering into an endless horizon. Upon closer inspection, the texture plays a significant role in the overall effect of the piece. The photograph deftly employs a mix of smooth gradations and rough, jagged edges that resemble the urban landscape itself---sharp lines of skyscrapers meet the soft burnt edges of the clouds. This dichotomy not only serves to highlight Tokyo’s architectural prowess but also reflects its seamless integration with nature. The technique is fluid, almost painterly, as if Betsy blended photographic realism with abstract interpretation. Tokyo Sun resonates on an emotional level, reminiscent of the feelings one experiences while witnessing a beautiful sunset in a bustling metropolis. It evokes a sense of nostalgia, yet instills excitement for the future. The abstract nature allows viewers to project their own experiences and emotions onto the artwork; some may find solace in the warmth of the colors, while others might feel inspired by the vibrant energy that Tokyo embodies. In essence, Tokyo Sun is more than just an abstract photograph; it is an immersive experience that invites contemplation and reflection. Betsy’s ability to merge texture, color and form into a singular vision allows viewers to engage with the artwork on multiple levels. Her result serves as a captivating ode to Tokyo, encapsulating the spirit of a city that thrives on contrasts, while being unified by the universal beauty of the sun. By Marie Costanza
	Candied Light By Jake Randell Few photographers would have made this image this way.  75% of it is negative space, but that space “makes” this photo.  The door and the towel are both cropped, so we must look elsewhere for a subject.  In this case the subject is an idea, a concept. It’s the space between this side of the door and the other.  This photograph is not about the door or the towel. Rather, it creates a story in our minds about what may have happened here or perhaps what is about to happen. Storytelling is what makes a good photo a great photo.  Thanks for sharing this very interesting and well composed photograph Jake.  Well done! By Don Menges
	Milkweed Seed Pod By Tim Wilson   Tim has captured the beauty of small things and often overlooked subjects in his series of photographs in his exhibit.   Milkweed Seed Pod is an excellent photograph which employs focus stacking to provide amazing three dimensionality. The viewer can see each component of the pod in high resolution. Putting the pod against a black background further emphasizes the range of black and white tones from pure black, through articulated greys to white.  Getting close to the photo, the detail holds up and amazes the viewer with its clarity. What adds to the impact of this photo is that it transcends just being a photo of a plant but calls to mind things other than just seed pods. It brings back memories of high school science, looking at a paramecium through a microscope, a one-celled creature. It can also be interpreted to be many other things, functioning as a Rorschach test which allows the imagination to soar to many different directions.  The finish on these photographs is excellent as well as Tim’s linking this project to an earlier very creative photographer…Karl Blossfeldt. This links his work to a continuum of creativity employing macro photography. By Steve Levinson