Gallery Photographers
If you are unable to visit our gallery and would like to purchase photographs from this preview or other's in the gallery, please contact the gallery and call 585-271-2540. | April 23 - May 18, 2008 Dancing with the Universe Peter Marr picks his favorite photos of the show All images copyright by the individual photographers Jim Hartsen’s powerful abstract images abound with blazes of strong color and fantastic shapes and forms that are a great tribute to his extraordinary vision and artistic skills. The gallery walls are lit up with a whole range of striking prints that on casual observation might remind the viewer of an amoeba, an eye, a trumpet, a horse, a car, or even a human figure. This casual identification is not what the artist wants us to waste our time on. Rather than trying to find out what Jim Hartsen originally photographed, the observer is encouraged to let the eye and the mind flow from a general feeling of an image to hopefully a positive reaction to it. Although this journey may take you on a different path from what the artist saw and created, there may still be a strong connection, and hopefully, some of these images may get you to “Dance with the Universe”. Peter A. Marr by Jim Hartsen This outstanding print is dominated by vibrant deep red diagonal slashes against a background of deep blue hues. The whole picture makes a tremendous visual impact, and mentally and emotionally, it transports me to the seashore with a delicate surf line in the foreground. Bursting across the sea is an electrifying, red, long mystical, scaly creature, paralleled by a shower of smaller, even faster moving animals. Psychologically, the creature conjures up a powerful zipper opening in some imaginary blue piece of material, yet symbolizing opening up a neural pathway in the brain, opening up one’s imagination and thought processes. How fast and complex life is, and this dramatic print of Jim’s makes me feel totally energized, like a burst of light crossing a vast expanse of space, directing me to wake up, enjoy, and experience something new, invigorating, yet sublime. Indeed, this image, like many others in his exhibition, makes me want to Dance with the Universe. Little Miss Muffet The delightful black-and-white images from the This very artistic montage wonderfully illustrates Max’s fine images, many of which use considerable visual imagination with superb technical expertise. I was particularly attracted to this print because of an additional added feature, namely because it exhibits a considerable degree of mystery and imagination for the observer. The final image is dominated by a wooden oar, vertically and powerfully displayed in warm yellow/orange/red hues, positioned against a pastiche of cool blue/cyan background images, and interspersed by strong, yet muted images of three people. The montage is superbly done, encompassing largely a beach scene with two youthful figures, together with a mysterious third face appearing on part of the oar. There are hints of a landscape, sky, and of course sand and water, but the real power of this print is in an artistic representation of part of the lives and interest of two people, in the environment that is familiar and important to them. The addition of the mysterious third face, albeit on the most striking element in the picture, is a mystery that certainly intrigues the viewer. Although it is probably very meaningful to the young couple, the end-result is a powerful and eye catching montage, very thought-provoking, and superbly seen and presented. Peter was born in England in 1935 and came to live in the United States in 1968. He worked for the Eastman Kodak Company for 34 years, retiring in 1998. During his employment and continuing into retirement, he has been an enthusiastic amateur photographer. His photography has won him numerous awards throughout Kodak and in International Salons, including 5 George Eastman Medals, which is the top honor awarded to the most outstanding picture in the Annual Kodak International Salon. He has served as a judge in both local and international photographic competitions for the past 20 years, and is a Past president of the Kodak Camera Club and past chairman of many of the Kodak Camera Club organizations. In the past five years or so, he has devoted his photographic skills and interest into nature photography, notably bird photography. His bird photography has been the subject of several one-person exhibits, the most recent being at Ding Darling NWR, in Sanibel, Florida, The Roger Tory Peterson Institute in Jamestown, New York, and at the Webster Public Library in Webster, NY. | ||||||||||
Image City Photography Gallery ♦ 722 University Avenue ♦ Rochester, NY 14607 ♦ 585.271.2540 In the heart of ARTWalk in the Neighborhood of the Arts |