All images copyright by the individual photographers

Photographs can also be printed in other sizes and presented with other frame options

 

	Cornfields Contours by Bill Bernbeck Digital capture; printed on luster paper with ultrachrome inks 10x10-inch print, 20x20-inch frame The rows of corn stubble outlined the contours of the hillside with the snow cover. The lone tree stands out like an exclamation point, as if supported by the contour lines themselves. A brilliant winter blue sky completes the elements of this composition. I passed by this scene many times before the conditions came together for this image. $300
	Solo Canoeist by Bill Bernbeck printed on luster paper with ultrachrome inks 10x10-inch print, 20x20-inch frame  The lake water is still. The surface is smooth as glass.  A lone canoeist sets out to ferry a load of supplies to his camp.  The quiet conditions help to ease his journey. He sees the ripples of a light breeze in the distance. He knows his labors will increase soon. He savors the peace of the moment. $300
	#390 Tribute to Norman Rockwell by Daniel P. Crozet Archival Digital Print (limited edition of 10 each size) 12x14-inch print, 17x20-inch frame $255 ($195 print only)
	#399 Bridge by Daniel P. Crozet Archival Digital Print (limited edition of 10 each size) 13x15-inch print, 17x20-inch frame $255 ($195 print only)
	#131 Indian Flower Market by Daniel Crozet Archival Digital Print (limited edition of 10 each size) 11x15-inch print, 17x23-inch frame $215 ($155 print only)
	#128 I Know it's Here by Daniel Crozet Archival Digital Print (limited edition of 10 each size) 11x15-inch print, 17x23-inch frame $225 ($165 print only)
	Driven Leaf by Gil Maker 10x16-inch print, 16x21-inch frame $110 ($60 print only)
	Faro Bikes by Gil Maker 10x16-inch print, 16x21-inch frame $110 ($60 print only)
	Pigeons by Gil Maker 7x18-inch print, 12x25-inch frame $100 ($50 print only)
	Eyes on Fifth Avenue  by Dan Neuberger   Archival Inkjet Print 7.5 x 7.5 inch print, 20x20 frame The eyes in the shop on Fifth Avenue captivated me, so, of course, I had to photograph them. $150
	Ceiling at Museum of Modern Art   by Dan Neuberger   Archival Inkjet Print 7.5 x 7.5 inch print, 20x20 frame MOMA is my favorite NYC hangout and I have taken many photographs there. This one may be a little confusing, as I chose to rotate it 90 degrees, making it more or less abstract. $150
	Love at Noon    by Dan Neuberger   Archival Inkjet Print 10 x 13.5 inch print, 20x20 frame This sculpture, one of my favorites, is on the corner of the street where my parents lived. There is at least one other one, in Philadelphia, where I saw it several decades ago. Incidentally, it has happened twice in recent years that I have coincidentally met friends from Rochester on that particular corner!!   $200
	Ada en Pointe by Dan Neuberger Silver Gelatin Print,      12 X 16-inch print, 20 X 24-inch frame   Ada was an exceptional dancer, still is a wonderful person, and a good friend.   Unfortunately, she no longer dances because of health issues, and is now a Yoga teacher in California.  I have very fond memories of the many shoots we had back in the nineties.  $ 300
	Crank Power by David Perlman 13.75 x 9.75-inch print, 19 x 15-inch frame Photographed at Steamtown railroad museum in Scranton, Pa. They have a huge collection of railroad equipment, a round house, and wonderful displays. There are at least two operating steam locomotives and they take people on short excursion rides. $165
	Steamer by David Perlman 9 x 9.5-inch print, 16 x 17-inch frame Steamtown. Engine was paused while passengers were boarding. You are allowed to wander everywhere and get right up close to operating engines. This is amazing, considering that the museum is operated by the National Park Service! $150
	Old Gears by David Perlman 11.5 x 8.13-inch print, 18.5 x 15.25-inch frame Steamtown. Closeup of a portion of an old steam powered railroad crane. $165
	Arise by Betsy Phillips Unframed Archival Inkjet on Canvas 20x30-inch This image was taken in Santa Fe, New Mexico of a crumbling wall, and was originally shot horizontally, but I chose to rotate the image 90 degrees to achieve the effect that you see. What initially attracted me was the texture and arrangement of lines and shapes, the randomness of the paint spatters.  The purple hue that you see is from my imagination, as the original wall was much more neutral in color. This is one of two in a series. The other image, entitled “Nightfall”, is a horizontal with similar tones and colors. $375
	Healing by Betsy Phillips Unframed Archival Inkjet on Canvas 20x30-inch This image was taken in Phoenix Arizona and is a close up of the surface of an outdoor steel sculpture. It is part of a series that focuses on details of that same sculpture and how the lines and shapes interact with one another and the sky. What attracted me to the sculpture was the rich patina of the rusted steel and the interplay or texture, line and shape. Here, the line and shape are gone, leaving only the variations in texture. Two angel-like figures appear to me, hence the title “Healing.” The image was first captured on film, then scanned at high resolution and manipulated in Photoshop for color balance, saturation, brightness and contrast to achieve the impression of an abstract painting. It was then printed on canvas and stretched to further that end. $375
	Firewall by Betsy Phillips Unframed Archival Inkjet on Canvas 20x30-inch This image was taken in Santa Fe, New Mexico of a wall on which it appears that a painter, without thought, ran the paint roller over the wall to clean off excess paint. What was left behind was interesting to me because of the serendipity of it, the textures, and the various levels of intensity of paint, but especially, the break in the strokes. Photoshop was used to further exaggerate the differences between strokes.  The image was first captured on film, then scanned at high resolution and manipulated in Photoshop for color balance, saturation, brightness and contrast to achieve the impression of an abstract painting. It was then printed on canvas and stretched to further that end. $375
	Denali Sunset Denali N. P., Alaska by Gary Thompson    12 x 23-inch print, 20 x 31-inch frame The warm side lighting and long shadows falling on Mt. McKinley just before sunset was what attracted me to take this image. The reflections in the pond added atmosphere to the scene.  During the last week of August the blue berry and bear berry plants turn the tundra scarlet. $340
	God Beams of Del Norte Redwoods N. P., California by Gary Thompson 16 x 20-inch print, 24 x 28-inch frame Phyllis and I were driving along the Avenue of the Patriarchs in Redwood N.P.  when we saw dramatic "god beams" of light percolating through the fog and giant redwood trees.  We immediately parked our car and proceeded to photograph this on and off again phenomenon for about four hours.  $360
	Sunset at Mesa Arch by Gary Thompson 16 x 20-inch print, 26 x 30 inch frame Mesa Arch has become an icon for serious photographers in the Southwest.  I knew that I wanted to capture the beautiful red glow on the bottom of the arch, but also wanted an unique way of capturing the beauty of this classic scene.  I decided to sunburst the rising sun against the lower edge of the arch to provide a personal touch. $360 (print only $200)
	Buoys in the Window by Phyllis Thompson 13 X 20-inch print, 24 X 31-inch frame I was attracted to the pink buoys and the shades of blue at dusk when I photographed this image two years ago.  We often say that when you see a shot you like you should take it because it will never be the same again.  When we returned this year the buoys and the rope were gone. $340 ($200 print only)
	Peggy's Cove Lighthouse by Phyllis Thompson 13 X 20-inch print, 25 X 31-inch frame This lighthouse stands majestically on the rocks at the mouth of Peggy's Cove harbor.  The rain the previous  night provided the puddle in the foreground.  I needed to lie on my stomach with my panoramic camera and  tripod flat on the rock in order to capture the reflection of the lighthouse in the image. Price  $340, ($200 print only)
	Peggy's Cove Harbour by Phyllis Thompson 9.5 X 24-inch print, 19 X 33-inch frame Peggy's Cove is a picturesque harbor village that looks the same today as when we visited it thirty years ago.  The quaint houses and two or three tiny shops have not changed.  The residents of Peggy's Cove have effectively prevented evidence of modern society to creep into their community. Price  $340 ($200 print only)
	Summer Solstice 2008 by Sheridan Vincent KODAK ENDURA METALLIC Paper 12x24-inch print 20x32-inch frame I got up early to try to get a sunrise on the first day of summer. I thought it was going to be a bust with the clouds, then for a moment the sun peeked through for this sunrise at the Irondequoit Bay Outlet $350
	Wings at Dusk by Sheridan Vincent KODAK ENDURA METALLIC Paper 12x26-inch print 20x36-inch frame On a rainy night last December I captured the contrast of the golden light from the Butterfly Atrium at the Strong National Museum of Play with the gray of dusk. $350
	Off Season by Sheridan Vincent Traditional KODAK ENDURA Paper 12x28-inch print 20x38-inch frame After the season last fall I took this shot at Rochester's Frontier Field. The sculptor for the wonderful work of the young fan and Morrie Silver is Dejan Pejovic. $350
	Yellow Leaf Road by Sheridan Vincent Traditional KODAK ENDURA Paper 12x18-inch print 18x28-inch frame Taken a couple of years ago at Mount Hope Cemetery, the leaves laid a perfect carpet on one of the back roads. $300
	Socrates by George Wallace 10x15-inch print, 16x20-inch frame Socrates is our cat.  When I took this picture I was trying to capture how I felt he would like to be seen, as fierce. This image won a first place in the black and white category at one of Camera Rochester's competitions. $100
	Aspens in Snow by George Wallace 12x18-inch print, 18x24-inch frame I took Aspens in Snow in Park City, Utah last winter. I was struck by the different white colors and the subtle red. This image won an honorable mention in the large color category at one of Camera Rochester's competitions.   $120
	Room to Let by George Wallace 10x15-inch print, 16x20-inch frame I took Room to Let in Vernazza, Italy in August. A gorgeous village on the Mediterranean. This image won first place in the large color category at one of Camera Rochester's competitions. $100
	White Rose by George Wallace 10x15-inch print, 16x20-inch frame One day I was taking macro shots of roses. When I got home I noticed that this one reminded me of Georgia O'Keefe, with the intense shadows , subtle grays, and bright whites. $110